One-man exhibition: Little Studio at the Loft Gallery

As a full member of Salcombe Art Club, I have the option to exhibit in the corner of the Loft Gallery that some of us still call the Little Studio.

This year, I have two consecutive weeks: 28 July until 11 August.

Fifteen original paintings … on three ‘walls’.

 

On the ‘left’ wall

Seagulls in the Spray

Acrylic

16 x 20

£325

 

Burgh Island from Hope Cove

Acrylic

15 x 15

£400

Also available as a fine art greetings card

 

Low Tide at Fishermans Cove

Acrylic

15 x 15

£400

Also available as a fine art greetings card

 

Affordable Art

I am not permitted to sell my cards at the Loft Studio, but they are available within walking distance.

  • Bonningtons, the newsagents
  • Salcombe Information centre

 

On the ‘middle’ wall (top to bottom and then left to right)

Salcombe Yacht Club Christmas Camellias

Acrylic 15 x 15 £500

Scoble Point Moorings

Oil 19 x 19 £450

Gullet Plantation

Oil 15 x 15 £450

Deliah

Acrylic 16 x 12 £250

Dappled Light III

Oil 12 x 16 £350

Tranquility

Acrylic 12 x 16 £275

Hope Cove

Oil 15 x 15.5 £450

South Pool Sunrise

Oil 50cm x 49cm £450

Newton Ferrers from Noss Mayo

Acrylic 15 x 15 £400

 

Then, on the ‘right’ wall

Salcombe Dawn II

Oil

16 x 20

£475

 

Merlins Crossing the Bar

Oil

20 x 16

£750

 

Torcross Wave

Acrylic

14 x 18

£300

 

STEWARDING

I will be stewarding on three occasions:

  • Saturday 4 August 2-5pm
  • Sunday 5 August 11am-5pm
  • Saturday 11 August 2-5pm

 

Pop in and say hello!

 

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One-man exhibition 13-26 August in the Little Studio at the Loft Gallery, Salcombe

My one-man exhibition  in the Little Studio at the Loft Gallery, Salcombe continues until Saturday 26 August.

I’ve space to show a wide range of my art in this one-man exhibition: watercolours, acrylics and oils. Fifteen paintings in all.

In the image below, you can see 12 of them.

2017 Little Studio one-man exhibition

Top row: (left to right) Gullet Plantation, Deliah, Salcombe Yacht Club’s Christmas Camellias, Torcross Wave

Middle row: (left to right) Scoble Point Moorings, Harvest Reaper II, Hope Cove, Dappled Light III

Bottom row: (left to right) Burgh Island from Hope Cove, At Ditch End, South Pool Sunrise, Tranquility

For those keen on a particular medium, these are the oils: Gullet Plantation,  Scoble Point MooringsHarvest Reaper IIHope CoveDappled Light IIIAt Ditch End, and South Pool Sunrise.

The rest shown here are acrylics.

 

WHERE IS THE LOFT GALLERY?

The Loft Gallery is situated behind the Fortescue Inn, and above a popular shoe shop, on a delightful footpath called Victoria Quay, which overlooks one of the best views in the UK including the mooring berth of the RNLI lifeboat Baltic Exchange III.

 

AFFORDABLE ART

Out of 135 completed paintings to date, 59 of these are available as fine art greetings cards.

My cards are stocked at Bonningtons (the newsagents) and Salcombe Information Centre (both a short walk from the Loft Studio). Further afield, my cards are stocked by Malborough Post Office – they offer the entire range – The Gallery Project at Avon Mill and at Noss Mayo, and in Bloomers, the florist in Kingsbridge.

Just think: for less than 1% of the sales price of an original painting, you can invest in a fine art greetings card. Send it to a friend or frame it for yourself.

Exhibition time: Week 2 of Ian Carr’s Oil Class exhibition: now until Saturday 22 July

Ian Carr’s Oil Class Exhibition continues until Saturday 22 July, in the Little Studio at the Loft Gallery, Salcombe.

 

Which paintings do I have in the Ian Carr Class Exhibition?

I have three paintings on display, as well as those already hanging in the main exhibition.

The featured image above is Hope Cove.

Then there’s Scoble Point Moorings.

Carr

And, last but not least, one of my favourites, Splosh of Frogmore.

Carr oil Splosh

Where is the Loft Gallery?

The Loft Gallery is situated behind the Fortescue Inn, and above a popular shoe shop, on a delightful footpath called Victoria Quay, which overlooks one of the best views in the UK including the mooring berth of the RNLI lifeboat Baltic Exchange III.

 

AFFORDABLE ART

All three images are available as a fine art greetings card.

My cards are stocked at Bonningtons (the newsagents) and Salcombe Information Centre (both a short walk from the Loft Studio). Further afield, my cards are stocked by Malborough Post Office, The Gallery Project at Avon Mill and at Noss Mayo, and in Bloomers, the florist in Kingsbridge.

Just think: for less than 1% of the sales price of an original painting, you can invest in a fine art greetings card. Send it to a friend or frame it for yourself.

Splosh

Exhibition time: Ian Carr’s Oil Class exhibition: now until Saturday 22 July

Ian Carr’s Oil Class Exhibition is on now, until Saturday 22 July, in the Little Studio at the Loft Gallery, Salcombe.

Ian Carr Oil Class Exhibition

I have three paintings on display, as well as those already hanging in the main exhibition.

On the right hand panel, at the top, are Hope Cove and Scoble Point Moorings. Bottom right is Splosh of Frogmore – and this is the featured image above too.

 

Where is the Loft Gallery?

The Loft Gallery is situated behind the Fortescue Inn, and above a popular shoe shop, on a delightful footpath called Victoria Quay, which overlooks one of the best views in the UK including the mooring berth of the RNLI lifeboat Baltic Exchange III.

 

When will I be there to greet you?

I will be stewarding at the Loft Gallery from 11am until 5pm on Wedneday 12 July. I hope you see you there!

South Pool Sunrise

Sketchbook Notes: South Pool Sunrise

This is the view from my studio and it often ruins my concentration, not just with its beauty but also by the speed it changes through the day.

Indeed, the new day’s light arrives so very fast, I have to use my camera to capture the evolving intensity of light and shade that play around this arena we call an estuary. There is no time to sketch it!

So, this is my original photo:

SouthPoolResource

You can see how I folded the printed page to create a square shape. Anne has encouraged me to think ‘square’ as this makes it so much easier for her when the time comes for us to select the next batch of designs for my range of fine art greetings cards!

Comparing this photo with the finished painting, I lightened the whole image, choosing colours which brought it to life: awakened it, literally. I found oil paints a delight when it came to blending the bursting sunshine dissolving an early morning mist.

The rising sun is Titanium White. The early morning mist and its reflections are largely blended Naples Yellow, minute dabs of Lemon Yellow Hue, plus Cadmium Yellow, Cadmium Orange, all lightened with Titanium White. A pale shade of Alizarin Crimson has been applied to warm the distant far-off parts of the estuary, together with a hint of Mauve Blue Shade to mark the hillside.

 

Where can you see this painting?

South Pool Sunrise is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Merlins, Scoble Point Moorings, and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

 

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings or are just curious about an image, let me know; I’ll then write a blog post especially for you!

Sketchbook Notes: Scoble Point Moorings

From Easter and onwards through the Summer, in the late afternoon, a strong clear light strikes this part of the Salcombe estuary. The red and white hulls appear to radiate their colours more intensely until the sun drops below the skyline.

Even the mooring buoys know the day is done and the moon will bring another tide.

This is my initial sketch for Scoble Point Moorings.

ScoblePointMooringsResource

Why bother with a sketch?

While a photograph can capture everything, that’s too much information. I need to frame the subject and to simplify what might have been a busy scene. Which craft will I include? Which should I leave out?

Sketching is therefore essential. It enables me to distill the principle points of interest and to identify the tonal areas of the composition and rebalance as necessary.

The sketchbook also serves as a diary, along with my iPad on which I take photos and, of course, my camera. I am grateful the software remembers when and where I take my photos.

So, with the various source materials in front of me and the sketchbook open, foremost in my mind is the tip: ‘look twice, draw once’. Sketching teaches you to watch! It teaches you to aim for brevity.

ScoblePointMooringsResource2

Notice that, in the final composition, I have rearranged the positioning of the various craft, but I took great care to plot the mooring buoys as shown on this photo of my original notes.

And, although my sketch was in watercolour, I decided to using oil paints for this subject – and what was a fascinating journey that was for me.

 

Where can you see this painting?

Scoble Point Moorings is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, MerlinsSouth Pool Sunrise and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

 

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

Sketchbook Notes: Merlins

The classic Merlin Rocket carries a two-man (or lady!) crew and has enjoyed a long relationship with Salcombe Yacht Club and the challenging waters of Salcombe Estuary.

I have never helmed, or crewed, this high-performance dinghy. The Merlin sailors love a stiff breeze and to launch their brightly coloured spinnakers when the wind angle permits. They appear to ‘charge’ along, rather than passively sail.

Comparing my source photograph with the finished painting, you’ll maybe notice a number of changes I made to the composition.Merlins

I positioned the shoreline midway, losing much of the foreground water, and brought the choppy water into sharper focus. I also smudged the detail on the beach, so that the sails were given greater emphasis. Last but not least, I added a touch of red, with a buoy, positioned bottom right.

I had great fun with this painting, trying to capture the movement of the Merlins across the estuary and the excitement of their race. And yes, I love to photo the Merlin sailors’ antics; if I blink, I’m sure to miss a dramatic capsize!

The next opportunity to see this fleet – over 100 competitors – in full sail is during Merlin Rocket Week, 10-15 July 2016.

 

Where can you see this painting?

Merlins is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Scoble Point MooringsSouth Pool Sunrise and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 19 April (2-5pm), 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

 

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!