Sketchbook note Archives

29 January 2018 In Art, Sketchbook note

Sketchbook Notes: Merlins Racing Past the Venus Cafe

Merlins are by far the most exciting craft to grace the Salcombe Estuary. The excitement – and the beauty – when they hoist their spinnakers is breath-taking, and their races always promise thrills and spills.

I take hundreds of photographs in any one year, and many of these are of the Merlins. These snaps are sure to provide inspiration for a painting; the tricky part is choosing which photo to use.

The year before last, I painted one image of Merlins (featured above) and it sold within days of going on show at the 2016 Salcombe Art Club Summer Exhibition.

So I had to paint another, and have actually done three!

Merlins Racing Past the Venus Cafe

This is the photo I chose as my main source of inspiration for Merlins Racing Past the Venus Cafe. The boats consist of horizontal lines (the hull) and strong vertical lines (the masts and sails) and I find this combination pleasing. The composition is not perfect but I feel I have captured the excitement of the race.

The next step is to create a sketch, deciding which elements of the photo to keep and which to lose, and applying ‘rules’ such as the rule of thirds. This is my sketch.

Notice that I have placed only those Merlins in the foreground and that they create movement from right to left. My shoreline is positioned just below centre, and I have scaled the boats so as to include their full height as best I can.

In drawing this sketch, it became clear that the closeness of the two boats on the left hand side would only lead to confusion. So, while this sketch provided the outline for the composition, I knew that when I moved to the painting stage, I would need to tweak the composition even more.

So, having done my preparation and having a clear idea in my head of the main features of this painting, I move to the next stage, and this is where I’m at right now.

It was a sunny day, so I started with fairly pure colours and have yet to address shadows or indeed reflections in the water. I have also left the surface of the water and will at some point decide how rough to make it look.

I have also yet to decide whether to include additional craft, for example on the shoreline. Time will tell… I have much to think about before this painting is finished.

THE SKETCHBOOK NOTES SERIES

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

4 July 2016 In Art, Sketchbook note

Sketchbook Notes: Hope Cove

The village of Hope Cove and its beaches are protected by a line of dramatic rocks and sea walls, and the local fishing boats are moored to a series of chains which lead the eye to the sea. The cove is always busy with holidaymakers and fishermen.

Hope Cove is a perfect subject for an artist?

Yes, but fishermen and sailors are quick to notice detail. If I get something wrong, then, in their opinion, my painting loses credibility. So, before I start any new painting, I gather lots of photographic images to help me to meet with their expectations.

Initially, I am thinking about what perspective I’ll use, and how much of the scene to include in my composition.

HopeCovePhoto1 HopeCovePhoto2

Then I might focus in on the rigging and equipment aboard a particular craft or a detail on the beach.

HopeCovePhoto4 HopeCovePhoto3

Crab pots: old and new

The contemporary crab pot is constructed with man-made materials as a crate with a hatch. They are stacked while on the fishing boats, until launched overboard in strings of pots. So, they have to be strong and durable.
The traditional style of crab pot is constructed from beautiful withy (pliable branches or twigs from willow). Although they are far more attractive to the eye, they are not as strong as the contemporary pots.

Looking at my notes for the Hope Cove painting, I see I have more than ten pages of supporting information. I recall how, in designing my composition, I decided I wanted to show both types of crab pot – old and new.

Crab pot maker: Sue Morgan

Thanks to Sue Morgan, my neighbouring stallholder at last year’s Hope Cove Lifeboat Fundraising Day, I became aware of the skill required to make a crab pot from willow. I decided to capture her skills in my painting as a tribute to Hope Cove’s history.

This photograph of Sue appeared in an article written by Lucy Flatman and published in Devon Life in April 2015. Lucy also posted a blog item about this article. I am grateful to Lucy for giving permission for her photo of Sue, with her crab pot, to be reproduced here.

At last: a card for Hope Cove!

Also, as further motivation for producing this painting, I have to thank everyone who came to the Fundraising Day to buy my cards and asked ‘Do you have any of Hope Cove?’. Until now, I’ve had to say ‘no’. In 2016, the answer is: ‘Yes!’

Over the past few years, my wife, Anne, and I have supported the Hope Cove Lifeboat Fundraising day. We very much look forward to supporting this event again this year.

When is the Hope Cove Fundraising Day?

Thursday 4 August

Where is the Hope Cove Fundraising Day?

The Cottage Hotel

THE SKETCHBOOK NOTES SERIES

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

25 April 2016 In Art, Sketchbook note

Sketchbook Notes: Scoble Point Moorings

From Easter and onwards through the Summer, in the late afternoon, a strong clear light strikes this part of the Salcombe estuary. The red and white hulls appear to radiate their colours more intensely until the sun drops below the skyline.

Even the mooring buoys know the day is done and the moon will bring another tide.

This is my initial sketch for Scoble Point Moorings.

ScoblePointMooringsResource

Why bother with a sketch?

While a photograph can capture everything, that’s too much information. I need to frame the subject and to simplify what might have been a busy scene. Which craft will I include? Which should I leave out?

Sketching is therefore essential. It enables me to distill the principle points of interest and to identify the tonal areas of the composition and rebalance as necessary.

The sketchbook also serves as a diary, along with my iPad on which I take photos and, of course, my camera. I am grateful the software remembers when and where I take my photos.

So, with the various source materials in front of me and the sketchbook open, foremost in my mind is the tip: ‘look twice, draw once’. Sketching teaches you to watch! It teaches you to aim for brevity.

ScoblePointMooringsResource2

Notice that, in the final composition, I have rearranged the positioning of the various craft, but I took great care to plot the mooring buoys as shown on this photo of my original notes.

And, although my sketch was in watercolour, I decided to using oil paints for this subject – and what was a fascinating journey that was for me.

Where can you see this painting?

Scoble Point Moorings is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Merlins, South Pool Sunrise and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

11 April 2016 In Art, Sketchbook note

Sketchbook Notes: Splosh of Frogmore

Frogmore is some miles away from Salcombe, beyond Kingsbridge by road. By boat, with the right tide, it is a magical short voyage from Salcombe through beautiful countryside.

Splosh is real, tied up near a little bridge. The faded coloured roundels show Splosh has had many years of service in Salcombe Harbour.

The day I was passing by, the egret was fishing in the stream, competing with dancing reflections of Splosh.

Splosh source image - egret 2

I took more and more photos, to capture greater and greater detail.

Splosh source image - egret

Notice that, in my composition, I moved the egret. My regret is on the right, looking towards Splosh.

I also used my artistic license and left some things out. Can you tell what, and can you imagine why?

I don’t know who owns Splosh. If you do, let me know. I’d be fascinated to find out more about the L in SPLOSH, and the history of this particular boat.

Where can you see this painting?

Splosh of Frogmore is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Merlins, Scoble Point Moorings, and South Pool Sunrise.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 19 April (2-5pm), 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is the first of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!