2017 exhibition schedule

It’s that time of year – firming up the 2017 exhibition schedule.

My diary is already looking full!

Please put these dates in your diary. Once the days and times when I will be stewarding are decided, I will post news on my Facebook page and here also. It’s your chance to ‘meet the artist’!

 

Salcombe Art Club Summer exhibition
Thursday 13 April – Saturday 30 September 2017

2017 exhibition scheduleAs a member of  Salcombe Art Club, I’ve exhibited in the club’s Summer Exhibition for many years now.

I usually submit 5 paintings, and the rule is that none of these original works of art can have been hung in the Loft Gallery in the previous three years. This encourages artists to keep on painting!

Handing in day is 1 April – five weeks away and I am hard at work.

The Loft Studio is open 7 days a week from 11am until 5pm. Admission is free.

 

Consuming Passions Exhibition
Tuesday 6 June – Sunday 18 June 2017
2017 exhibition schedule

This is a new one for me. It’s organised by SHAF (South Hams Arts Forum). I’ve been a member of that organisation for several years and have enjoyed the events they organise for local artists: talks and social events.

This will be my first joint venture with them, in an exhibition!

It’s at Harbour House. Kingsbridge – a wonderful gallery space – and I’ll be exhibiting probably 7 paintings there.

Doors will be open from 10am – 5pm and admission is free.

 

One-man exhibition in the Redfern Health Centre
Thursday 29 June – Thursday 27 July 2017

Full members of Salcombe Art Club are asked to display their work for one month – so that those visiting the Redfern have something to admire while waiting to see the doctor.

It’s an honour to be on the team again and to know that my paintings may provide some cheer to those having health issues.

On one occasion, a gentleman recognised Burgh Island in one of my paintings as the venue for his marriage many years previous. He purchased it as a surprise for his wife. How romantic!

The Redfern benefits from all sales; – a percentage of the purchase price is donated to their funds.

 

One-man exhibition in the Little Studio in the Loft Gallery
Sunday 13 August – Saturday 26 August 2017

2017 exhibition scheduleSalcombe Art Club invite members, including associate members, to take one or two weeks in the Little Studio, to display as many of their paintings as they can hang in the space.

More recent paintings that didn’t sell last year can be hung so they usually get another airing.

I’ll be stewarding all day both Sundays, so that’s a good time to pop in and chat, if you want to ‘meet the artist’.

The photo is me – last year.

 

SHAF Arts Trail
Saturday 14 October – Sunday 29 October
2017 exhibition schedule

The South Hams Art Forum (SHAF) usually have a one-week Arts Trail. This year, it’s extended to two weeks so that those on holiday in the area might have more opportunity to attend during the school’s half-term holiday.

Viewings at Beacon House Gallery are usually by appointment but, for the period of the SHAF Arts Trail, we will welcome visitors 11am-3pm Monday, Wednesday and Thursday, and 10am-5pm on Friday, Saturday and Sunday. (Closed on a Tuesday)

 

Beacon House Gallery
Private viewings 2017

I usually hold a private preview evening ahead of the start of the season, but the gallery is being refurbished and works will not be completed before Easter.

Instead, there will be an event to celebrate the re-opening of Beacon House Gallery – whenever that happens!

If you would like to be advised about the date of this event and to receive an invitation, please contact me.

house portrait

Postcard from Melbourne: Farewell gift of a house portrait

At the end of January, it was time say farewell to Melbourne and to record our thanks to our hosts: I presented them with a house portrait.

I promised myself I’d spend some of this holiday sketching, and this is one of the first sketches I completed.

It shows a typical Melbourne property: a bungalow that has been extended upwards, with a modest front garden onto a suburban street, lined with gum trees.

 

There’s no garage?

Who needs a garage? Even if you have a Fiat Spider on the front drive …

Melbourne poolside

Out back, more important to us, and to the grandchildren, there is a pool, an essential component when the temperatures reach 40 degrees in their summer months.

Like most houses in the area, the space at the rear is compact, but well designed with a deck area complete with barbeque.

Plus a poolside area, complete with tropical foliage, where we could laze around.

No lawns to mow!

 

From sketch to finished composition

Having gained approval from our hosts that they would indeed like a painting of their home, I set to.

house portrait

This is the finished painting. It’s a watercolour. My baggage allowance was insufficient for my acrylic kit!

I took the liberty of losing the magnificent tree that was in full bloom when we left. It housed a flock of colourful but noisy parakeets whose dawn chorus happened hours before dawn each morning.

The front garden (on the left) is given over to raised beds. So, we had fresh strawberries, daily. And courgettes. Rhubarb. More varietes of herbs than you can shake a stick at. All requiring daily watering …

 

Stephen and GraceNotice the two figures in the window?

That’s gorgeous granddaughter Grace and a friend.

And this is me, packed and ready for the return flight, with Grace. She’ll be almost 10 the next time we see her.

 

Farewell Melbourne. Back to reality!

Back in the UK, we have the central heating on. We’ve swapped the T-shirt and shorts for layer upon layer … and ‘enjoying’  temperatures in single figures.

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling. It’s the final one for this particular trip. My next trip is to Canada, in May. Watch this space!

TATE Britain

Postcard from Melbourne: National Gallery of Victoria (NGV)

Anne and I wanted to return to the NGV (National Gallery of Victoria) as I’d seen so many great exhibits while she enjoyed lunch with a writer friend.

I knew she’d be interested to see works by Rodin, Manet and Van Gogh, but there was so much more to see … so back we came.

WHAT WERE THE HIGHLIGHTS ON OUR SECOND VISIT TO NGV?

I took hundreds of photographs at the NGV and it’s proved very hard to decide which ones not to share with you; I have so many wonderful memories of our visit to this gallery.

However, we picked two – the ones which were most special for us.

First, since Anne and I chose a particularly hot day to return to NGV – and to make the most of the air-conditioned environment – this painting by David Davies made us laugh.

His ‘A Hot Day’ perfectly captures the Australian climate at a glance.

Second, is a gem by JMW Turner.

As we were fast approaching the end of our long vacation in Australia, our thoughts were beginning to turn towards home. Although we now live in Salcombe in Devon and, at that moment, we were in Melbourne, it was a lovely surprise to see ‘Walton Bridges’. This painting brought back into sharp focus the many times in my life when, forty plus years ago, I drove from my home in Shepperton and crossed a more modern version of these bridges en route to Walton Station for my daily commute to London.  How time flies?

YOU WANT TO SEE SOME MORE PHOTOS?

I have plenty!

It will come as no surprise that many of the paintings on display in the NGV show life in Australia as it was way back and, then, as it is now.

A Lord of the bushIn ‘A lord of the bush’, Hans Heyson shows no sentiment. According to the description given by NGV, Heyson was profoundly inspired by the romantic landscape paintings of Constable (and others).

By the turn of the century, the bush had become an object for nostaglia in Australia culture. Rural life was disappearing with the advent of industrialisation and increasing population, but with this iconic painting of the cost to the early Australian settler, Heyson’s able draughmanship and genuine love of the natural world helped to show Australian bush life to those who might never experience it.

Shearing the RamsThen there was ‘The Shearing of the Lambs’ by Tom Roberts: the finest example of life in the outback in the nineteenth century.

Roberts did a number of preliminary sketches on the spot at Brocklesby Station, Corowa, NSW in 1888. He then returned twice more during the brief shearing period of the following two springs to work on his painting. Once completed, it was exhibitied in his studio in Collins St, Melbourne.

John BrackCollins St also features in this next image.

This more modern painting is John Brack’s depiction of commuters in an Australian city. The heading reads: Collins St where it’s 5pm forever.

The young men in suits are shown as packs, resembling sardines.

You’ve now missed NGV’s recent exhibition of one of Australia’s greatest living artists: John Olsen. It closed yesterday!

Works by Jon Olsen in the 'You Beaut Country' exhibition February 2017

Works by Jon Olsen in the ‘You Beaut Country’ exhibition February 2017

Olsen is noted for his lyrical depictions of the australian landscape. His work includes ceiling paintings, tapestries and decorated ceramics. All his work radiates energy and is the finest example of the abstract expressionism movement in Australia.

It was difficult to choose just one work from the ‘You Beaut Country’ exhibition to share with you, so there are three here for you to admire.

WHAT IS THERE FOR YOU TO SEE AT THE NATIONAL GALLERY OF VICTORIA (NGV)?

As well as the various individual works of art at NGV, the wonderful  (see my blog of 9 January) is on until 13 March.

And, at Tate Britain, back in the UK, to mark David’s 80th birthday, there’s a large scale retrospective of his work from 9 February until 20 May 2017. I’ll be making time to go up to London for this exhibition and will report in due course here on my blog.

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling.