This is the view from my studio and it often ruins my concentration, not just with its beauty but also by the speed it changes through the day.
Indeed, the new day’s light arrives so very fast, I have to use my camera to capture the evolving intensity of light and shade that play around this arena we call an estuary. There is no time to sketch it!
So, this is my original photo:
You can see how I folded the printed page to create a square shape. Anne has encouraged me to think ‘square’ as this makes it so much easier for her when the time comes for us to select the next batch of designs for my range of fine art greetings cards!
Comparing this photo with the finished painting, I lightened the whole image, choosing colours which brought it to life: awakened it, literally. I found oil paints a delight when it came to blending the bursting sunshine dissolving an early morning mist.
The rising sun is Titanium White. The early morning mist and its reflections are largely blended Naples Yellow, minute dabs of Lemon Yellow Hue, plus Cadmium Yellow, Cadmium Orange, all lightened with Titanium White. A pale shade of Alizarin Crimson has been applied to warm the distant far-off parts of the estuary, together with a hint of Mauve Blue Shade to mark the hillside.
Where can you see this painting?
The Exhibition is open every day from 11am until 5pm, until 24 September.
I will be at the Exhibition, stewarding, on these dates: 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).
If you are in Salcombe this summer, why not drop in?
The Sketchbook Notes series
This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.
If you own one of my paintings or are just curious about an image, let me know; I’ll then write a blog post especially for you!