Contemporary passions

Sketchbook notes: High Tide at Kingsbridge

Kingsbridge is situated at the northern end of the Kingsbridge Estuary and a steep road – Fore Street – climbs upwards to the church of St Edmunds whose 13th century tower dominates the sky line.

 

What inspired me to paint this view of Kingsbridge?

In High Tide at Kingsbridge, I’ve tried to capture the summer evening light as it softens the jumble of buildings. I scheduled this study for a high tide in the late afternoon, because the water surface dances with the strengthening shadows and fading reflections, and the warm glow of sunset will soon give way to electric lights.

At other states of the tides and at other times of the day, the view is completely different and provides a challenge – and the inspiration – to conjure more compositions of this scene.

 

AFFORDABLE ART

High Tide at Kingsbridge is available as a fine art greetings card. My cards are stocked by  Bonningtons (the newsagents) and Salcombe Information Centre in Salcombe. Further afield, the full range is stocked by Malborough Post Office, and a selection from the range can be purchased from The Gallery Project at Avon Mill and at Noss Mayo, and in Bloomers, the florist in Kingsbridge.

 

THE SKETCHBOOK NOTES SERIES

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

South Pool Sunrise

Sketchbook Notes: South Pool Sunrise

This is the view from my studio and it often ruins my concentration, not just with its beauty but also by the speed it changes through the day.

Indeed, the new day’s light arrives so very fast, I have to use my camera to capture the evolving intensity of light and shade that play around this arena we call an estuary. There is no time to sketch it!

So, this is my original photo:

SouthPoolResource

You can see how I folded the printed page to create a square shape. Anne has encouraged me to think ‘square’ as this makes it so much easier for her when the time comes for us to select the next batch of designs for my range of fine art greetings cards!

Comparing this photo with the finished painting, I lightened the whole image, choosing colours which brought it to life: awakened it, literally. I found oil paints a delight when it came to blending the bursting sunshine dissolving an early morning mist.

The rising sun is Titanium White. The early morning mist and its reflections are largely blended Naples Yellow, minute dabs of Lemon Yellow Hue, plus Cadmium Yellow, Cadmium Orange, all lightened with Titanium White. A pale shade of Alizarin Crimson has been applied to warm the distant far-off parts of the estuary, together with a hint of Mauve Blue Shade to mark the hillside.

 

Where can you see this painting?

South Pool Sunrise is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Merlins, Scoble Point Moorings, and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

 

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings or are just curious about an image, let me know; I’ll then write a blog post especially for you!

Sketchbook Notes: Merlins

The classic Merlin Rocket carries a two-man (or lady!) crew and has enjoyed a long relationship with Salcombe Yacht Club and the challenging waters of Salcombe Estuary.

I have never helmed, or crewed, this high-performance dinghy. The Merlin sailors love a stiff breeze and to launch their brightly coloured spinnakers when the wind angle permits. They appear to ‘charge’ along, rather than passively sail.

Comparing my source photograph with the finished painting, you’ll maybe notice a number of changes I made to the composition.Merlins

I positioned the shoreline midway, losing much of the foreground water, and brought the choppy water into sharper focus. I also smudged the detail on the beach, so that the sails were given greater emphasis. Last but not least, I added a touch of red, with a buoy, positioned bottom right.

I had great fun with this painting, trying to capture the movement of the Merlins across the estuary and the excitement of their race. And yes, I love to photo the Merlin sailors’ antics; if I blink, I’m sure to miss a dramatic capsize!

The next opportunity to see this fleet – over 100 competitors – in full sail is during Merlin Rocket Week, 10-15 July 2016.

 

Where can you see this painting?

Merlins is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Scoble Point MooringsSouth Pool Sunrise and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 19 April (2-5pm), 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

 

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!