Postcard from Paris: Musée d’Orsay

Musée d'Orsay Au Pied De CochonDuring our recent trip to Paris, we visited the Musée d’Orsay – a first time for us – and what a delight!

What made us choose this venue?

 

The Musée d’Orsay comes recommended

While enjoying a lovely French dinner at the Au Pied de Cochon restaurant on the Monday evening, we fell into conversation with the couple at the next table.

Having discussed what we might order from the menu, talk turned to our plans for our two days. The Louvre is top our our list, I declared.

Musée d'Orsay

Central area with sculptures

No! They thought the Musée d’Orsay was much better.

Then the following morning, when we went to purchase our tickets, we discovered the Louvre doesn’t open on a Tuesday, so off we went to find the Musée d’Orsay.

 

At the Musée d’Orsay – so much to see?

As you walk through the entrance to the Musée d’Orsay, this huge exhibition space is what you see first: a central walk filled with sculptures.

It takes more than a moment to take in the layout of the building, but, having consulted the free tour guide, we identified the exhibitions and ‘rooms’ of most interest to us.

We were pleased to discover the lifts. Our first chosen exhibition – the Impressionists – was on the 5th floor!

En route, we walked through the cafe area. That was a masterpiece in itself, but we did not sample the delights.

Later, we were to explore all the rooms which led off from the left hand side of the upper corridor (level 2) of this enormous entrance hall area.

 

At the Musée d’Orsay – more Impressionists than you can shake a stick at!

Musée d'OrsayI have attended many Impressionist exhibitions in London but none compare with the one on at the Musée d’Orsay at the moment.

I saw more of the Impressionists in one day than I had in my entire life: Bazille, Caillebotte, Cassatt, Cézanne, Degas, Fantin-Latour, Manet, Monet, Morisot, Pissarro, Renoir, Sisley, Whistler.

It was a knock out!

The catalogue (at 14 euros) is a delight and is split into three historical sections.

  • Impressionism from 1863 to 1874
  • Impressionism from 1874 to 1886
  • Impressionism after 1886

If you are quick, you can see the Portraits by Cézanne exhibition – ends 24 September.

 

At the Musée d’Orsay – Les Régates à Molesey by Sisley

Musée d'OrsayOne exhibit, I had never seen before, by Sisley, was Les Régates à Molesey (Boating at Molesey).

Painted in 1874, it shows a spot on the Thames, near to where I lived for many years.

Seeing that painting brought back memories …

I’m not sure if we were allowed to take photos in the Musée d’Orsay; certainly, the placement of the exhibits in relation to the windows didn’t encourage it!

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling. It’s the second one for this particular trip. The previous postcard was from Paradou, and the next is Paris again, at the Louvre.

TATE Britain

Postcard from Melbourne: National Gallery of Victoria (NGV)

Anne and I wanted to return to the NGV (National Gallery of Victoria) as I’d seen so many great exhibits while she enjoyed lunch with a writer friend.

I knew she’d be interested to see works by Rodin, Manet and Van Gogh, but there was so much more to see … so back we came.

WHAT WERE THE HIGHLIGHTS ON OUR SECOND VISIT TO NGV?

I took hundreds of photographs at the NGV and it’s proved very hard to decide which ones not to share with you; I have so many wonderful memories of our visit to this gallery.

However, we picked two – the ones which were most special for us.

First, since Anne and I chose a particularly hot day to return to NGV – and to make the most of the air-conditioned environment – this painting by David Davies made us laugh.

His ‘A Hot Day’ perfectly captures the Australian climate at a glance.

Second, is a gem by JMW Turner.

As we were fast approaching the end of our long vacation in Australia, our thoughts were beginning to turn towards home. Although we now live in Salcombe in Devon and, at that moment, we were in Melbourne, it was a lovely surprise to see ‘Walton Bridges’. This painting brought back into sharp focus the many times in my life when, forty plus years ago, I drove from my home in Shepperton and crossed a more modern version of these bridges en route to Walton Station for my daily commute to London.  How time flies?

YOU WANT TO SEE SOME MORE PHOTOS?

I have plenty!

It will come as no surprise that many of the paintings on display in the NGV show life in Australia as it was way back and, then, as it is now.

A Lord of the bushIn ‘A lord of the bush’, Hans Heyson shows no sentiment. According to the description given by NGV, Heyson was profoundly inspired by the romantic landscape paintings of Constable (and others).

By the turn of the century, the bush had become an object for nostaglia in Australia culture. Rural life was disappearing with the advent of industrialisation and increasing population, but with this iconic painting of the cost to the early Australian settler, Heyson’s able draughmanship and genuine love of the natural world helped to show Australian bush life to those who might never experience it.

Shearing the RamsThen there was ‘The Shearing of the Lambs’ by Tom Roberts: the finest example of life in the outback in the nineteenth century.

Roberts did a number of preliminary sketches on the spot at Brocklesby Station, Corowa, NSW in 1888. He then returned twice more during the brief shearing period of the following two springs to work on his painting. Once completed, it was exhibitied in his studio in Collins St, Melbourne.

John BrackCollins St also features in this next image.

This more modern painting is John Brack’s depiction of commuters in an Australian city. The heading reads: Collins St where it’s 5pm forever.

The young men in suits are shown as packs, resembling sardines.

You’ve now missed NGV’s recent exhibition of one of Australia’s greatest living artists: John Olsen. It closed yesterday!

Works by Jon Olsen in the 'You Beaut Country' exhibition February 2017

Works by Jon Olsen in the ‘You Beaut Country’ exhibition February 2017

Olsen is noted for his lyrical depictions of the australian landscape. His work includes ceiling paintings, tapestries and decorated ceramics. All his work radiates energy and is the finest example of the abstract expressionism movement in Australia.

It was difficult to choose just one work from the ‘You Beaut Country’ exhibition to share with you, so there are three here for you to admire.

WHAT IS THERE FOR YOU TO SEE AT THE NATIONAL GALLERY OF VICTORIA (NGV)?

As well as the various individual works of art at NGV, the wonderful  (see my blog of 9 January) is on until 13 March.

And, at Tate Britain, back in the UK, to mark David’s 80th birthday, there’s a large scale retrospective of his work from 9 February until 20 May 2017. I’ll be making time to go up to London for this exhibition and will report in due course here on my blog.

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling.

The second marriage at NGV

Postcard from Melbourne: So much to see at the NGV

While Anne and a writer friend of hers chatted over afternoon tea in the first floor restaurant, I discovered just how much there is to see at the NGV (National Gallery of Victoria).

 

What is there to see at the National Gallery of Victoria (NGV)?

In addition to the wonderful David Hockney exhibition which I blogged about on 9 January, NGV has so much more art to show to the world.

Alfred Felton’s generous bequest in 1904 has enabled the NGV to be a world-leading collecting institution. There is work by Picasso, Rothko, Bacon, Man Ray, Max Ernst, Paul Nash, Bonnard, Rodin, Van Gogh, Pissaro, Renoir, Manet and Monet, Courbet, Constable and, of course, Turner.

 

What were the highlights for me?

Thinker at NGVDegas at NGV(Left) Rodin’s The Thinker: it was well worth spending time, admiring his undoubtable handiwork.

Rodin’s The Kiss is one of Anne’s favorites and we’ll have to arrange a return visit to NGA before we leave Australia so she can see The Thinker too ‘in the flesh’.

Manet’s The House at Rivell was also breathtaking, and was attracting quite a crowd.

(Right) Degas’ Portrait of a Woman, identity unknown … clearly, she was known to him!

John Constable’s Study of a boat passing a Lock – wonderful!

And, my featured image at the top of this blog post, is David Hockney’s The Second Marriage. … It’s an interesting, different, study of this state of existence. I’m on mine and loving it – and the painting was great too.

 

You want to see some more photos?

Picasso at NGV

(Left) This is a Picasso vase. Lord alone knows how much it is worth. It’s on display within a sturdy glass cabinet. Very sensible!

Van Gogh at NGV

(Right) This is Head of a man by Van Gogh. Although Van Gogh tried to conform to the traditional approach, his passion enlivened this work so much that it has much more power emanating from the canvas than other portraits of that era.

I spent such a short time, wandering around, amazed at the collection of treasures, and now need to schedule some time for a return visit.

However, Anne and I depart for a week in Tasmania tomorrow so you can expect a report of our planned visit to MONA before I get a chance to return to see what Melbourne’s art galleries have to offer the visitor.

If you have visited Tasmania, or live there, what galleries – apart from MONA – would you recommend we visit?

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling.