Melbourne Archives - Salcombe Art

2 October 2017 In Art, Postcard from ...

Postcard from Oxford: Ashmolean Museum

Joseph Mallord William Turner (1175-1851): Walton Bridges

This was my fourth visit to the wonderful Ashmolean Museum.

Anne wanted to attend a literary lunch at Denman College – meeting Clare Mackintosh, author of I See You, a brilliant psychological thriller – so we decided to share the driving from Devon, and I got to spend the day enjoying once more this amazing trove of art.

With so many works of art on display, it’s difficult to pick out just a few favourites, but here are my five from this particular excursion.

At the Ashmolean: Turner’s Walton Bridges

These bridges were mentioned in a previous postcard, way back in February when Anne and I were in Australia. We were enjoying a stroll around NGV (National Gallery of Victoria). As I mentioned back then: it was a lovely surprise to see ‘Walton Bridges’.

The Walton Bridges were erected in the 1780s and were painted by Turner (twice) in 1805 for exhibitions in 1806-7.

Jean-Baptiste-Camille Corot (1796-1875): Montfermeuil, the Brook in the Wood, 1867

Turner used his artistic licence to create this idyllic pastoral landscape, minus the various houses that would have been visible to anyone present at that time.

This painting – like the one is Melbourne – brought back into sharp focus the many times in my life when, forty plus years ago, I drove from my home in Shepperton and crossed a more modern version of these bridges en route to Walton Station for my daily commute to London.

How time flies?

At the Ashmolean: Corot’s Montfermeuil, the Brook in the Wood

This oil-on-canvas painting is an example of Corot’s later work.

His palette is more monochromatic and the overall effect more blurred.

I see similar skies over Salcombe. The challenge is to capture the atmosphere before the clouds move on.

At the Ashmolean: Etty’s The Repentant Prodigal’s Return to his Father

Willian Etty (1787-1849): The Repentant Prodigal’s Return to his Father

This painting combines two scenes from the story of the Prodigal son: centre stage, the embrace between father and son; and, to the left, the return of the elder brother from working in the fields.

Etty was unique in his ability to make a successful career out of combining history painting – such as this one – with his love for Venetian colours.

He was especially keen on life drawings and studied life at the Royal Academy schools – and this painting includes four lovely ladies, in various classic poses, in the background!

I’m very much looking forward to getting back into class. The Salcombe Art Club Main exhibition ended on Saturday, and I’ll be back ‘in harness’ on Tuesdays (with Michael Hill) and Fridays (with Ian Carr).

On the occasional Monday, there’s a life drawing class too …

At the Ashmolean: two paintings by Walter Richard Sickert’s

Walter Richard Sickert (1860-1942): The Piazzetta do San Marco, Venice, 1900

Although Walter Richard Sickert was born in 1860, in Germany, the son on Oswald Sickert, a Danish-German artist, the family relocated to Britain in 1868 where they obtained British nationality.

Sickert visited Venice in the Spring of 1900.

This first painting, The Piazzetta do San Marco, Venice, with the Campanile on the left and the basilica of San Marco on the right, was dedicated to a Mrs May (Polly) Price. Polly was the daughter of one of Sickert’s closest friends, a Mrs Middleton.

I fully intend to visit Venice again soon. Wherever you look. there is a composition with perfect light, just waiting to be painted.

Sickert, as a painter and printmaker, was a member of the Camden Town Group in London – a small group of English Post-Impressionist artists active 1911-13 and influenced by Vincent van Gogh and Paul Gauguin.

Walter Richard Sickert (1860-1942): The Brighton Pierrots, 1915

This second painting, an oil-on-canvas, depicts members of the troupe of Pierrots who performed on stage in Brighton in 1915.

Sickert visited his patron and friend Walter Taylor and studied these Pierrots, making many sketches before returning to London and creating this image.

His Pierrots perform in front of rows of empty deck chairs, and presents a depressing insight into life in Brighton at that time.

However, the painting was sold very quickly and then Sickert was commissioned to paint a second version. You can see that one at the Tate.

Apparently, Sickert rarely commissions. Neither do I!

Lunch at the Ashmolean

I thoroughly enjoyed my day at the Ashmolean, not least because the rooftop restaurant is first class, albeit with a first class price tag!

I’m very much looking forward to seeing Anne browse through the new Denman catalogue. I’m sure she’ll find something she will enjoy, and that I can disappearing into Oxford again soon.

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling.

20 February 2017 In Art, Postcard from ...

Postcard from Melbourne: Farewell gift of a house portrait

At the end of January, it was time say farewell to Melbourne and to record our thanks to our hosts: I presented them with a house portrait.

I promised myself I’d spend some of this holiday sketching, and this is one of the first sketches I completed.

It shows a typical Melbourne property: a bungalow that has been extended upwards, with a modest front garden onto a suburban street, lined with gum trees.

There’s no garage?

Who needs a garage? Even if you have a Fiat Spider on the front drive …

Melbourne poolside

Out back, more important to us, and to the grandchildren, there is a pool, an essential component when the temperatures reach 40 degrees in their summer months.

Like most houses in the area, the space at the rear is compact, but well designed with a deck area complete with barbeque.

Plus a poolside area, complete with tropical foliage, where we could laze around.

No lawns to mow!

From sketch to finished composition

Having gained approval from our hosts that they would indeed like a painting of their home, I set to.

house portrait

This is the finished painting. It’s a watercolour. My baggage allowance was insufficient for my acrylic kit!

I took the liberty of losing the magnificent tree that was in full bloom when we left. It housed a flock of colourful but noisy parakeets whose dawn chorus happened hours before dawn each morning.

The front garden (on the left) is given over to raised beds. So, we had fresh strawberries, daily. And courgettes. Rhubarb. More varietes of herbs than you can shake a stick at. All requiring daily watering …

Notice the two figures in the window?

That’s gorgeous granddaughter Grace and a friend.

And this is me, packed and ready for the return flight, with Grace. She’ll be almost 10 the next time we see her.

Farewell Melbourne. Back to reality!

Back in the UK, we have the central heating on. We’ve swapped the T-shirt and shorts for layer upon layer … and ‘enjoying’ temperatures in single figures.

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling. It’s the final one for this particular trip. My next trip is to Canada, in May. Watch this space!

13 February 2017 In Art

Postcard from Melbourne: National Gallery of Victoria (NGV)

Anne and I wanted to return to the NGV (National Gallery of Victoria) as I’d seen so many great exhibits while she enjoyed lunch with a writer friend.

I knew she’d be interested to see works by Rodin, Manet and Van Gogh, but there was so much more to see … so back we came.

WHAT WERE THE HIGHLIGHTS ON OUR SECOND VISIT TO NGV?

I took hundreds of photographs at the NGV and it’s proved very hard to decide which ones not to share with you; I have so many wonderful memories of our visit to this gallery.

However, we picked two – the ones which were most special for us.

First, since Anne and I chose a particularly hot day to return to NGV – and to make the most of the air-conditioned environment – this painting by David Davies made us laugh.

His ‘A Hot Day’ perfectly captures the Australian climate at a glance.

Second, is a gem by JMW Turner.

As we were fast approaching the end of our long vacation in Australia, our thoughts were beginning to turn towards home. Although we now live in Salcombe in Devon and, at that moment, we were in Melbourne, it was a lovely surprise to see ‘Walton Bridges’. This painting brought back into sharp focus the many times in my life when, forty plus years ago, I drove from my home in Shepperton and crossed a more modern version of these bridges en route to Walton Station for my daily commute to London. How time flies?

YOU WANT TO SEE SOME MORE PHOTOS?

I have plenty!

It will come as no surprise that many of the paintings on display in the NGV show life in Australia as it was way back and, then, as it is now.

In ‘A lord of the bush’, Hans Heyson shows no sentiment. According to the description given by NGV, Heyson was profoundly inspired by the romantic landscape paintings of Constable (and others).

By the turn of the century, the bush had become an object for nostaglia in Australia culture. Rural life was disappearing with the advent of industrialisation and increasing population, but with this iconic painting of the cost to the early Australian settler, Heyson’s able draughmanship and genuine love of the natural world helped to show Australian bush life to those who might never experience it.

Shearing the Rams Then there was ‘The Shearing of the Lambs’ by Tom Roberts: the finest example of life in the outback in the nineteenth century.

Roberts did a number of preliminary sketches on the spot at Brocklesby Station, Corowa, NSW in 1888. He then returned twice more during the brief shearing period of the following two springs to work on his painting. Once completed, it was exhibitied in his studio in Collins St, Melbourne.

John Brack Collins St also features in this next image.

This more modern painting is John Brack’s depiction of commuters in an Australian city. The heading reads: Collins St where it’s 5pm forever.

The young men in suits are shown as packs, resembling sardines.

You’ve now missed NGV’s recent exhibition of one of Australia’s greatest living artists: John Olsen. It closed yesterday!

Works by Jon Olsen in the ‘You Beaut Country’ exhibition February 2017

Olsen is noted for his lyrical depictions of the australian landscape. His work includes ceiling paintings, tapestries and decorated ceramics. All his work radiates energy and is the finest example of the abstract expressionism movement in Australia.

It was difficult to choose just one work from the ‘You Beaut Country’ exhibition to share with you, so there are three here for you to admire.

WHAT IS THERE FOR YOU TO SEE AT THE NATIONAL GALLERY OF VICTORIA (NGV)?

As well as the various individual works of art at NGV, the wonderful (see my blog of 9 January) is on until 13 March.

And, at Tate Britain, back in the UK, to mark David’s 80th birthday, there’s a large scale retrospective of his work from 9 February until 20 May 2017. I’ll be making time to go up to London for this exhibition and will report in due course here on my blog.

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling.

23 January 2017 In Art, Postcard from ...

Postcard from Melbourne: Christmas brushes

Christmas in Melbourne seems an age ago, and we have seen in the New Year in style – and today I found an opportunity to spend my Christmas voucher, a generous gift from our hosts, on … brushes!

Which store did I visit?

With my voucher in hand, I made my way to Art Stretchers, a magnificent new store in Northcote High Street, walking distance from where Anne and I are staying.

I’d visited this shop before Christmas and treated myself to some A3 watercolour paper. I’d decided to paint a present for my hosts – more on that in a later post – and found myself in this magical store. They have everything!

What was I interested in buying?

I was looking for a high-quality brush, or two. With a weight allowance to respect, I couldn’t go mad on heavy items.

The range was incredible and what caught my eye was a fan brush, ideal for blending adjacent colours. The sales assistant was very attentive and offered to talk me through their extensive collection.

What did I buy?

Four brushes!

From left to right:

1: The fan brush which originally caught my eye

2: A 320S Squirrel Mop of German manufacture which loads well, but is hellishly expensive …

3 and 4: Two part-squirrel part-synthetic, cheaper options, sizes 12 and 8 which then gave me the entire range of ‘mop’ without having to take out a second mortgage!

Having tried out my three new mops, I am absolutely delighted with my purchase and so glad the voucher made a sizeable dent in the bill.

What brushes do you use? Which are your favourites? Let me know.

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling.

16 January 2017 In Art, Exhibition, Postcard from ...

Postcard from Melbourne: So much to see at the NGV

While Anne and a writer friend of hers chatted over afternoon tea in the first floor restaurant, I discovered just how much there is to see at the NGV (National Gallery of Victoria).

What is there to see at the National Gallery of Victoria (NGV)?

In addition to the wonderful David Hockney exhibition which I blogged about on 9 January, NGV has so much more art to show to the world.

Alfred Felton’s generous bequest in 1904 has enabled the NGV to be a world-leading collecting institution. There is work by Picasso, Rothko, Bacon, Man Ray, Max Ernst, Paul Nash, Bonnard, Rodin, Van Gogh, Pissaro, Renoir, Manet and Monet, Courbet, Constable and, of course, Turner.

What were the highlights for me?

Thinker at NGV Degas at NGV (Left) Rodin’s The Thinker: it was well worth spending time, admiring his undoubtable handiwork.

Rodin’s The Kiss is one of Anne’s favorites and we’ll have to arrange a return visit to NGA before we leave Australia so she can see The Thinker too ‘in the flesh’.

Manet’s The House at Rivell was also breathtaking, and was attracting quite a crowd.

(Right) Degas’ Portrait of a Woman, identity unknown … clearly, she was known to him!

John Constable’s Study of a boat passing a Lock – wonderful!

And, my featured image at the top of this blog post, is David Hockney’s The Second Marriage. … It’s an interesting, different, study of this state of existence. I’m on mine and loving it – and the painting was great too.

You want to see some more photos?

Picasso at NGV

(Left) This is a Picasso vase. Lord alone knows how much it is worth. It’s on display within a sturdy glass cabinet. Very sensible!

Van Gogh at NGV

(Right) This is Head of a man by Van Gogh. Although Van Gogh tried to conform to the traditional approach, his passion enlivened this work so much that it has much more power emanating from the canvas than other portraits of that era.

I spent such a short time, wandering around, amazed at the collection of treasures, and now need to schedule some time for a return visit.

However, Anne and I depart for a week in Tasmania tomorrow so you can expect a report of our planned visit to MONA before I get a chance to return to see what Melbourne’s art galleries have to offer the visitor.

If you have visited Tasmania, or live there, what galleries – apart from MONA – would you recommend we visit?

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling.

9 January 2017 In Art, Postcard from ...

Postcard from Melbourne, Australia: The David Hockney exhibition at the NGV

This is a new type of blogpost: a postcard from Melbourne, prompted by our visit to the NGV to see the David Hockney Exhibition.

We are currently ‘on holiday’, visiting family, but wherever we go, Anne and I always make a point of seeking out art galleries, museums and gardens.

What’s on in Melbourne?

The NGV (National Gallery of Victoria) in Melbourne, Australia, is currently hosting a David Hockney Exhibition. It’s just across the road from the beautiful Royal Botanic Gardens and both are walking distance from the famous Federation Square, opposite Flinders station.

We have to catch the 86 tram to get into Melbourne and it takes about 30 minutes. The ride is interesting enough, looking at the various architectures en route.

What did I think of the David Hockney exhibition?

The day we visited the David Hockney exhibition, it was particularly hot and we were glad to be inside, in an air-conditioned space.

I had seen a similar exhibition at the Royal Academy in London, but this one included animated film of Hockey creating his masterpieces using an iPad. It was truly inspirational.

I have only been an iPad user for three years and, although I have the ProCreate app installed for a while now, I had not really come to grips with the opportunities it offers to artists.

So, since our visit to NGV, I have been ‘playing’ with ProCreate on my iPad. I don’t suppose for a moment that I’ll ever publish a finished piece emanating from this new technology – I’m far too old to change my spots! – but I can see how much David has achieved since he embraced this format.

Is it worth your visiting this exhibition?

Even Anne, who is not overly impressed with modern art, was mesmerised by the many animations. Or perhaps it was just her tactic to stay in the cool environment?

The exhibition is on until 13 March and I recommend – if you are within striking distance of Melbourne – that you take time out to visit this glorious display of so many of David’s paintings, including more than 20 portraits.

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling.