Merlins Archives - Salcombe Art

18 March 2019 In Art

Merlin paintings – in preview sale on 5 April

In the preview sale on 5 April, Merlin on the Run and Merlins Racing past Fishermen are two of the latest crop of paintings which will be offered at a discount price to those attending this celebration of the start of another season of art.

142 Walking back to Hope Cove
144 Merlin on the Run
145 Schooner Sunset
146 Merlins Racing past Fishermans
147 Summer in Salcombe
148 All Aboard the East Portlemouth Ferry

Merlin on the Run

Merlin on the Run is the featured image above.

The Merlin Rocket Association has a long and ongoing relationship with the Salcombe Yacht Club. Sailors too, often have a close ‘relationship’ with Merlins and their crew.

Merlins Racing Past Fishermans

When I’m on the water, if I look over my shoulder to see Merlin’s bow wave, powered up with a mighty full spinnaker, I know it’s time to move out of their way. The right of way rule is immaterial …

Merlins Racing Past Fishermans

I could not have painted the drama of Merlins Racing Past Fishermans without my photos for reference. Everything happens so fast out on the water.

I raced in Fireballs in my twenties and thirties. These also had spinnakers and were equally unstable when a strong puff of wind visited the estuary.

Merlin Rocket Week

Each year, the Merlin sailors and their families and friends descend on the town for a week of racing.

In 2019, this event is called Salcombe Gin Merlin Rocket Week 2019 in recognition of the sponsors: Salcombe Gin.

Salcombe Gin

The Salcombe Gin Company can be found at The Boathouse, 28 Island Street, Salcombe TQ8 8DP. On-site, there is a distillery, shop, and bar, and they offer courses too at the Gin School. You can make your own gin …

Back to art!

Merlin paintings

I love painting these beautiful crafts and now have five images featuring them.

123 Merlins is sold already but the image is available as a fine art greetings card, and – both as a square image and a rectangular image – for the affordable art items too.

Come to the Preview evening: 6-9pm on Friday 5 April

If you would like an invitation to the Preview evening, please contact me.

You will be made very welcome at Beacon House Gallery.

29 January 2018 In Art, Sketchbook note

Sketchbook Notes: Merlins Racing Past the Venus Cafe

Merlins are by far the most exciting craft to grace the Salcombe Estuary. The excitement – and the beauty – when they hoist their spinnakers is breath-taking, and their races always promise thrills and spills.

I take hundreds of photographs in any one year, and many of these are of the Merlins. These snaps are sure to provide inspiration for a painting; the tricky part is choosing which photo to use.

The year before last, I painted one image of Merlins (featured above) and it sold within days of going on show at the 2016 Salcombe Art Club Summer Exhibition.

So I had to paint another, and have actually done three!

Merlins Racing Past the Venus Cafe

This is the photo I chose as my main source of inspiration for Merlins Racing Past the Venus Cafe. The boats consist of horizontal lines (the hull) and strong vertical lines (the masts and sails) and I find this combination pleasing. The composition is not perfect but I feel I have captured the excitement of the race.

The next step is to create a sketch, deciding which elements of the photo to keep and which to lose, and applying ‘rules’ such as the rule of thirds. This is my sketch.

Notice that I have placed only those Merlins in the foreground and that they create movement from right to left. My shoreline is positioned just below centre, and I have scaled the boats so as to include their full height as best I can.

In drawing this sketch, it became clear that the closeness of the two boats on the left hand side would only lead to confusion. So, while this sketch provided the outline for the composition, I knew that when I moved to the painting stage, I would need to tweak the composition even more.

So, having done my preparation and having a clear idea in my head of the main features of this painting, I move to the next stage, and this is where I’m at right now.

It was a sunny day, so I started with fairly pure colours and have yet to address shadows or indeed reflections in the water. I have also left the surface of the water and will at some point decide how rough to make it look.

I have also yet to decide whether to include additional craft, for example on the shoreline. Time will tell… I have much to think about before this painting is finished.

THE SKETCHBOOK NOTES SERIES

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

2 May 2016 In Art

Sketchbook Notes: South Pool Sunrise

This is the view from my studio and it often ruins my concentration, not just with its beauty but also by the speed it changes through the day.

Indeed, the new day’s light arrives so very fast, I have to use my camera to capture the evolving intensity of light and shade that play around this arena we call an estuary. There is no time to sketch it!

So, this is my original photo:

SouthPoolResource

You can see how I folded the printed page to create a square shape. Anne has encouraged me to think ‘square’ as this makes it so much easier for her when the time comes for us to select the next batch of designs for my range of fine art greetings cards!

Comparing this photo with the finished painting, I lightened the whole image, choosing colours which brought it to life: awakened it, literally. I found oil paints a delight when it came to blending the bursting sunshine dissolving an early morning mist.

The rising sun is Titanium White. The early morning mist and its reflections are largely blended Naples Yellow, minute dabs of Lemon Yellow Hue, plus Cadmium Yellow, Cadmium Orange, all lightened with Titanium White. A pale shade of Alizarin Crimson has been applied to warm the distant far-off parts of the estuary, together with a hint of Mauve Blue Shade to mark the hillside.

Where can you see this painting?

South Pool Sunrise is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Merlins, Scoble Point Moorings, and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings or are just curious about an image, let me know; I’ll then write a blog post especially for you!

25 April 2016 In Art, Sketchbook note

Sketchbook Notes: Scoble Point Moorings

From Easter and onwards through the Summer, in the late afternoon, a strong clear light strikes this part of the Salcombe estuary. The red and white hulls appear to radiate their colours more intensely until the sun drops below the skyline.

Even the mooring buoys know the day is done and the moon will bring another tide.

This is my initial sketch for Scoble Point Moorings.

ScoblePointMooringsResource

Why bother with a sketch?

While a photograph can capture everything, that’s too much information. I need to frame the subject and to simplify what might have been a busy scene. Which craft will I include? Which should I leave out?

Sketching is therefore essential. It enables me to distill the principle points of interest and to identify the tonal areas of the composition and rebalance as necessary.

The sketchbook also serves as a diary, along with my iPad on which I take photos and, of course, my camera. I am grateful the software remembers when and where I take my photos.

So, with the various source materials in front of me and the sketchbook open, foremost in my mind is the tip: ‘look twice, draw once’. Sketching teaches you to watch! It teaches you to aim for brevity.

ScoblePointMooringsResource2

Notice that, in the final composition, I have rearranged the positioning of the various craft, but I took great care to plot the mooring buoys as shown on this photo of my original notes.

And, although my sketch was in watercolour, I decided to using oil paints for this subject – and what was a fascinating journey that was for me.

Where can you see this painting?

Scoble Point Moorings is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Merlins, South Pool Sunrise and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

18 April 2016 In Art

Sketchbook Notes: Merlins

The classic Merlin Rocket carries a two-man (or lady!) crew and has enjoyed a long relationship with Salcombe Yacht Club and the challenging waters of Salcombe Estuary.

I have never helmed, or crewed, this high-performance dinghy. The Merlin sailors love a stiff breeze and to launch their brightly coloured spinnakers when the wind angle permits. They appear to ‘charge’ along, rather than passively sail.

Comparing my source photograph with the finished painting, you’ll maybe notice a number of changes I made to the composition. Merlins

I positioned the shoreline midway, losing much of the foreground water, and brought the choppy water into sharper focus. I also smudged the detail on the beach, so that the sails were given greater emphasis. Last but not least, I added a touch of red, with a buoy, positioned bottom right.

I had great fun with this painting, trying to capture the movement of the Merlins across the estuary and the excitement of their race. And yes, I love to photo the Merlin sailors’ antics; if I blink, I’m sure to miss a dramatic capsize!

The next opportunity to see this fleet – over 100 competitors – in full sail is during Merlin Rocket Week, 10-15 July 2016.

Where can you see this painting?

Merlins is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Scoble Point Moorings, South Pool Sunrise and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 19 April (2-5pm), 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!