Postcard from Lanzarote: The Magic of Manrique

Imagine: a fourteen-day cruise with stops at Lisbon, Lanzarote, Gran Canaria, La Palma, Tenerife, and Madeira … each one with tours to take you ashore and show you the local sights and delights.

When the MV Ventura stopped for one day in Lanzarote, Anne and I took advantage of an excursion to discover the Magic of César Manrique, the Spanish artist, sculptor, architect and activist.

The visit included entrance to the César Manrique Foundation, situated in Manrique’s former home, Taro de Tahíche.

Outside the house, visible from far away, is this statue: Monumento al Campesino (a monument to the peasant). It’s constructed from scrap parts and stands tall above the coach park.

Monumento al Campesino | Postcard from Lanzarotte: The Magic of Manrique

Monumento al Campesino

César Manrique was passionate about the landscape, keen to make use of it, to blend buildings in with it. He chose to site his house on the solidified lava rock created by an 18th-century volcanic eruption that transformed the Lanzarote terrain; he made use of the bubbles which naturally form when the volcano erupts.

The top of the first bubble is visible as you walk through the gates and into what we might call the front garden.

Garden | Postcard from Lanzarotte: The Magic of Manrique

Looking down into it, you see the room below.

Top of bubble | Postcard from Lanzarotte: The Magic of Manrique

The sculpture you can glimpse from up here … is within a room below and is indicative of his style. His sculptures appear all over Lanzarote, especially on the islands in the middle of the many roundabouts.

Red sculpture | Postcard from Lanzarotte: The Magic of Manrique

The decor of the rooms, cut into the volcanic earth, is simple, with single colour schemes. White …

White room | Postcard from Lanzarotte: The Magic of Manrique

And yellow …

Yellow room | Postcard from Lanzarotte: The Magic of Manrique

The emphasis is on clear cut lines. No fuss.

 

The paintings of César Manrique

There’s not enough space here to share all the paintings on show. His, and those of many famous artists of his generation, like Picasso, adorn the walls.

Anne liked this one the best – for its simplicity.

Line drawing | Postcard from Lanzarotte: The Magic of Manrique

His geometric lines are to be seen in the garden too.

Rainbow wall | Postcard from Lanzarotte: The Magic of Manrique

When you are inside the house, you are acutely aware of the outside – the view across the volcanic black earth to the sky through massive windows.  Within the space, a pool is cut into the rock and the black volcanic rock painted white. Even the man-made structures are made to look natural.

Pool | Postcard from Lanzarotte: The Magic of Manrique

If ever you are in Lanzarote, take time out to visit the César Manrique Foundation. Rather than taking a coach tour, which limits you on time, make your own way there and enjoy every part of the experience to the full.

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling. My previous postcard focused on the sketching I did while aboard MV Ventura.

Next week’s blog shares the art we discovered when we returned to the UK.

The second marriage at NGV

Postcard from Melbourne: So much to see at the NGV

While Anne and a writer friend of hers chatted over afternoon tea in the first floor restaurant, I discovered just how much there is to see at the NGV (National Gallery of Victoria).

 

What is there to see at the National Gallery of Victoria (NGV)?

In addition to the wonderful David Hockney exhibition which I blogged about on 9 January, NGV has so much more art to show to the world.

Alfred Felton’s generous bequest in 1904 has enabled the NGV to be a world-leading collecting institution. There is work by Picasso, Rothko, Bacon, Man Ray, Max Ernst, Paul Nash, Bonnard, Rodin, Van Gogh, Pissaro, Renoir, Manet and Monet, Courbet, Constable and, of course, Turner.

 

What were the highlights for me?

Thinker at NGVDegas at NGV(Left) Rodin’s The Thinker: it was well worth spending time, admiring his undoubtable handiwork.

Rodin’s The Kiss is one of Anne’s favorites and we’ll have to arrange a return visit to NGA before we leave Australia so she can see The Thinker too ‘in the flesh’.

Manet’s The House at Rivell was also breathtaking, and was attracting quite a crowd.

(Right) Degas’ Portrait of a Woman, identity unknown … clearly, she was known to him!

John Constable’s Study of a boat passing a Lock – wonderful!

And, my featured image at the top of this blog post, is David Hockney’s The Second Marriage. … It’s an interesting, different, study of this state of existence. I’m on mine and loving it – and the painting was great too.

 

You want to see some more photos?

Picasso at NGV

(Left) This is a Picasso vase. Lord alone knows how much it is worth. It’s on display within a sturdy glass cabinet. Very sensible!

Van Gogh at NGV

(Right) This is Head of a man by Van Gogh. Although Van Gogh tried to conform to the traditional approach, his passion enlivened this work so much that it has much more power emanating from the canvas than other portraits of that era.

I spent such a short time, wandering around, amazed at the collection of treasures, and now need to schedule some time for a return visit.

However, Anne and I depart for a week in Tasmania tomorrow so you can expect a report of our planned visit to MONA before I get a chance to return to see what Melbourne’s art galleries have to offer the visitor.

If you have visited Tasmania, or live there, what galleries – apart from MONA – would you recommend we visit?

This post is one of my POSTCARD series, sharing all things ART with you when I go travelling.