Sketchbook Notes Archives

29 January 2018 In Art, Sketchbook note

Sketchbook Notes: Merlins Racing Past the Venus Cafe

Merlins are by far the most exciting craft to grace the Salcombe Estuary. The excitement – and the beauty – when they hoist their spinnakers is breath-taking, and their races always promise thrills and spills.

I take hundreds of photographs in any one year, and many of these are of the Merlins. These snaps are sure to provide inspiration for a painting; the tricky part is choosing which photo to use.

The year before last, I painted one image of Merlins (featured above) and it sold within days of going on show at the 2016 Salcombe Art Club Summer Exhibition.

So I had to paint another, and have actually done three!

Merlins Racing Past the Venus Cafe

This is the photo I chose as my main source of inspiration for Merlins Racing Past the Venus Cafe. The boats consist of horizontal lines (the hull) and strong vertical lines (the masts and sails) and I find this combination pleasing. The composition is not perfect but I feel I have captured the excitement of the race.

The next step is to create a sketch, deciding which elements of the photo to keep and which to lose, and applying ‘rules’ such as the rule of thirds. This is my sketch.

Notice that I have placed only those Merlins in the foreground and that they create movement from right to left. My shoreline is positioned just below centre, and I have scaled the boats so as to include their full height as best I can.

In drawing this sketch, it became clear that the closeness of the two boats on the left hand side would only lead to confusion. So, while this sketch provided the outline for the composition, I knew that when I moved to the painting stage, I would need to tweak the composition even more.

So, having done my preparation and having a clear idea in my head of the main features of this painting, I move to the next stage, and this is where I’m at right now.

It was a sunny day, so I started with fairly pure colours and have yet to address shadows or indeed reflections in the water. I have also left the surface of the water and will at some point decide how rough to make it look.

I have also yet to decide whether to include additional craft, for example on the shoreline. Time will tell… I have much to think about before this painting is finished.

THE SKETCHBOOK NOTES SERIES

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

19 May 2017 In Art, Exhibition

CONTEMPORARY PASSIONS EXHIBITION PREVIEW: Splosh of Frogmore

Splosh of Frogmore is one of several paintings I’ll be showing at the the annual Contemporary Passions exhibition.

My ‘contemporary passion’ for the 2017 Contemporary Passions exhibition is ‘places other than Salcombe’. For the past decade or so, I’ve focused on scenes within easy walking distance of my home in Salcombe, and I’ve painted over 100 of them.

Frogmore is some miles away from Salcombe, beyond Kingsbridge by road. By boat, with the right tide, it is a magical short voyage from Salcombe through beautiful countryside. So, it fits the theme!

Splosh of Frogmore

splosh Splosh is real, tied up near a little bridge. The faded coloured roundels show Splosh has had many years of service in Salcombe Harbour.

The day I was passing by, the egret was fishing in the stream, competing with dancing reflections of Splosh.

You’ll notice that I used my artistic licence to move the egret.

For more information about this painting, read my Sketchbook notes.

What is the Contemporary Passions exhibition?

This is an annual opportunity for members of SHAF (South Hams Art Forum) to stage a major summer show of new works in a wide range of mediums and styles, a snapshot of the artists’ current work, interests and creative passions.

This is the first year I have taken part in this exhibition and am one of ten SHAF members exhibiting their work: Teresa Barlow, Nick Cotter, Gilly Cotter, Sue Farrow-Jones, Jane Mahood, Michele Meyer, Elaine Sibley, Sally Tapsell-Hunt, Val Uglow, and myself.

During the next few weeks, I’ll showcase the many paintings I intend to display, and introduce the other artists too.

WHEN IS THE CONTEMPORARY PASSIONS EXHIBITION?

Tuesday 6 June until Sunday 18 June 2017
Open daily 10 am – 5 pm (closing at 4 pm on the last day)

WHERE IS THE CONTEMPORARY PASSIONS EXHIBITION?

The Contemporary Passions exhibition will be at Harbour House, The Promenade, Kingsbridge, Devon, TQ7 1JD

WANT TO MEET THE ARTISTS?

There will be an opportunity to meet the artists on Tuesday 6 June, 6-8 pm.

I will also be stewarding all day on Saturday 10 June and on the morning of Saturday 17 June.

HOW MUCH DOES IT COST?

Admission is free!

17 October 2016 In Art

Sketchbook notes: High Tide at Kingsbridge

Kingsbridge is situated at the northern end of the Kingsbridge Estuary and a steep road – Fore Street – climbs upwards to the church of St Edmunds whose 13th century tower dominates the sky line.

What inspired me to paint this view of Kingsbridge?

In High Tide at Kingsbridg e, I’ve tried to capture the summer evening light as it softens the jumble of buildings. I scheduled this study for a high tide in the late afternoon, because the water surface dances with the strengthening shadows and fading reflections, and the warm glow of sunset will soon give way to electric lights.

At other states of the tides and at other times of the day, the view is completely different and provides a challenge – and the inspiration – to conjure more compositions of this scene.

AFFORDABLE ART

High Tide at Kingsbridg e is available as a fine art greetings card. My cards are stocked by Bonningtons (the newsagents) and Salcombe Information Centre in Salcombe. Further afield, the full range is stocked by Malborough Post Office, and a selection from the range can be purchased from The Gallery Project at Avon Mill and at Noss Mayo, and in Bloomers, the florist in Kingsbridge.

THE SKETCHBOOK NOTES SERIES

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

11 July 2016 In Art

Sketchbook Notes: Burgh Island

Burgh Island is a popular attraction to visitors and, especially, artists.

I have painted the hotel many times!

The iconic Art Deco Hotel dominates Burgh Island. It was owned and managed for many years by Tony Porter and his wife Beatrice. Tony called it the Great White Palace and it has featured in many films and television dramas based on Agatha Christie novels.

120 Shifting Sands at Burgh Island I72dpiRESIZED Shifting Sands at Burgh Island I is an acrylic painting. In the sky, I included a vapour trail to remind me of a recent flight from Gatwick to Malta. For some reason, the pilot chose to go west before turning south. Seeing this spectacular coastline from the air was a magical experience.

Shifting Sands at Burgh Island I draws particular attention to the dramatic cliffs. Also clear in this image is that the Island is set apart from the mainland by a strip of sand, only visible at low tide. When the sea is in full tide, the sea tractor ferries the visitors to and fro and there is a continuous clamour of sound from waves and gulls.

114 Paddling at Burgh Island72dpiRESIZED The beach provides a lovely walk or, better, a paddle in the cool water of spent surf. Paddling at Burgh Island, another acrylic painting, captures the joy of such a stroll by my wife, Anne, and her friend, Sheila. I recall we made our way across to the island and enjoyed a beverage in the pub, The Pilchard Inn.

My most recent painting of the hotel is in oil. The Burgh Island Hotel, featured far above, will be on display at the Loft Gallery, Salcombe, in the exhibition to showcase the work of students of Ian Carr’s oil classes. The two-week exhibition opens on Saturday 23 July.

Most artists prefer the view as seen from Bigbury but I have attempted to capture the subject as seen from Hope Cove. The massive cliffs of the mainland give a dramatic backdrop, while the rocks in the foreground underline its isolation. And, the late afternoon sun turns the Great White Palace into a glorious white beacon.

AFFORDABLE ART

All three images are available as a fine art greetings card, and you may purchase them at Bonningtons (the newsagents) and Salcombe Information Centre (both a short walk from the Loft Studio). Further afield, my cards are stocked by Malborough Post Office, The Gallery Project at Avon Mill and at Noss Mayo, and in Bloomers, the florist in Kingsbridge.

THE SKETCHBOOK NOTES SERIES

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

4 July 2016 In Art, Sketchbook note

Sketchbook Notes: Hope Cove

The village of Hope Cove and its beaches are protected by a line of dramatic rocks and sea walls, and the local fishing boats are moored to a series of chains which lead the eye to the sea. The cove is always busy with holidaymakers and fishermen.

Hope Cove is a perfect subject for an artist?

Yes, but fishermen and sailors are quick to notice detail. If I get something wrong, then, in their opinion, my painting loses credibility. So, before I start any new painting, I gather lots of photographic images to help me to meet with their expectations.

Initially, I am thinking about what perspective I’ll use, and how much of the scene to include in my composition.

HopeCovePhoto1 HopeCovePhoto2

Then I might focus in on the rigging and equipment aboard a particular craft or a detail on the beach.

HopeCovePhoto4 HopeCovePhoto3

Crab pots: old and new

The contemporary crab pot is constructed with man-made materials as a crate with a hatch. They are stacked while on the fishing boats, until launched overboard in strings of pots. So, they have to be strong and durable.
The traditional style of crab pot is constructed from beautiful withy (pliable branches or twigs from willow). Although they are far more attractive to the eye, they are not as strong as the contemporary pots.

Looking at my notes for the Hope Cove painting, I see I have more than ten pages of supporting information. I recall how, in designing my composition, I decided I wanted to show both types of crab pot – old and new.

Crab pot maker: Sue Morgan

Thanks to Sue Morgan, my neighbouring stallholder at last year’s Hope Cove Lifeboat Fundraising Day, I became aware of the skill required to make a crab pot from willow. I decided to capture her skills in my painting as a tribute to Hope Cove’s history.

This photograph of Sue appeared in an article written by Lucy Flatman and published in Devon Life in April 2015. Lucy also posted a blog item about this article. I am grateful to Lucy for giving permission for her photo of Sue, with her crab pot, to be reproduced here.

At last: a card for Hope Cove!

Also, as further motivation for producing this painting, I have to thank everyone who came to the Fundraising Day to buy my cards and asked ‘Do you have any of Hope Cove?’. Until now, I’ve had to say ‘no’. In 2016, the answer is: ‘Yes!’

Over the past few years, my wife, Anne, and I have supported the Hope Cove Lifeboat Fundraising day. We very much look forward to supporting this event again this year.

When is the Hope Cove Fundraising Day?

Thursday 4 August

Where is the Hope Cove Fundraising Day?

The Cottage Hotel

THE SKETCHBOOK NOTES SERIES

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

20 June 2016 In Art

Sketchbook Notes: East Portlemouth Ferry

As well as Harvest Reaper (the South Sands ferry), Salcombe has the East Portlemouth Ferry providing safe passage from the Ferry Steps across the water to East Portlemouth.

Why did I paint the East Portlemouth ferry?

When the Salcombe lifeboat (Baltic Exchange III) was first launched, it was put on display at one of the London Docks adjacent to the London Boat Show. Members of the public were invited to go aboard and explore this state-of-the-art rescue craft. The lifeboat crew were on hand to escort – and explain its features to – those who came aboard.

One visitor asked Tricky if he had another job in addition to crewing the RNLI craft. Tricky replied, with some pride, that he was a ferryman.

‘What sort of job is that!’ exclaimed the pompous visitor.

Tricky explained that the East Portlemouth ferry service operated every day of the year. It was an honour, he said, to fulfil the long-standing obligations of the ferry service, one which benefited inhabitants of Salcombe town and East Portlemouth, and visitors too. I witnessed this exchange and echoed Tricky’s defence of the importance of this ferry service, and its vital role for those who needed to cross the water. Mr Pompous was not convinced and, unfortunately, left before we could throw him in the dock.

Have you noticed that, during the quieter times, it always appears that the ferry is on the wrong side – the other side! – when you want it?

In my painting, I captured that classic moment, with the ferryman reading his book or newspaper.

Where can you see my painting of the East Portlemouth ferry?

The original painting of East Portlemouth Ferry was bought by a couple who live full time in Salcombe and it’s proudly on display in their lounge.

This image is, however, available as a limited edition print, and one owner of the LEP version is Sarah Parr who lives in Stockport in Cheshire. Sarah says: I have been visiting The South Hams literally all my life … My grandparents lived in East Portlemouth and I spent every summer and October half term holidays with them along with visiting other relatives who lived in South Pool, Slapton and Malborough. I have very fond memories of the area and absolutely love the picture of the ferry at East Portlemouth. I remember when the trip to Salcombe was 15p each way!

East Portlemouth Ferry is also very popular as a fine art greetings card. It is on sale in Bonningtons the newsagents, at Salcombe Information Centre, in Malborough Post Office, or direct from Beacon House Gallery.

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

5 June 2016 In Art

Sketchbook Notes: Dawn at New Bridge

To replace the painting sold yesterday in my one-man exhibition in the Little Studio at the Loft Gallery, I’ve chosen Dawn at New Bridge.

What made me paint ‘Dawn at New Bridge’?

For a year, Anne and I rented a stunning house at Bickerton. It belonged to an artist and her husband and, for those twelve months, I worked in the best studio conditions I’ll ever have, for sure.

Work was being done on our Salcombe flat, ahead of putting it on the market, and we spent three years renting various houses in the South Hams. We learnt a lot about the type of house we might eventually want to buy!

During that particular tenancy, I would often drive from Bickerton back to Salcombe and, crossing New Bridge, Bowcombe, I would enjoy the view across the estuary.

077 Safe mooring150072dpi One particular morning, there was a mist, slowly clearing. I felt compelled to stop the car and, reaching for my camera, I captured this magical moment. I especially admired the reflections in the pink water.

Dawn at New Bridge was one of a number of studies that resulted from that pitstop.

Safe Mooring (shown left) was sold to friends who live back in Surrey, when they visited us for our eventual house warming party at Beacon House in 2013.

At that same party, the owner of the boat featured was also identified …

Do you like pink?

If you like the ‘pink’ of these paintings, you might also like New Day at New Bridge, the original of which was sold at Avon Mill. However, the image is still available as a fine art greetings card.

THE SKETCHBOOK NOTES SERIES

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

2 May 2016 In Art

Sketchbook Notes: South Pool Sunrise

This is the view from my studio and it often ruins my concentration, not just with its beauty but also by the speed it changes through the day.

Indeed, the new day’s light arrives so very fast, I have to use my camera to capture the evolving intensity of light and shade that play around this arena we call an estuary. There is no time to sketch it!

So, this is my original photo:

SouthPoolResource

You can see how I folded the printed page to create a square shape. Anne has encouraged me to think ‘square’ as this makes it so much easier for her when the time comes for us to select the next batch of designs for my range of fine art greetings cards!

Comparing this photo with the finished painting, I lightened the whole image, choosing colours which brought it to life: awakened it, literally. I found oil paints a delight when it came to blending the bursting sunshine dissolving an early morning mist.

The rising sun is Titanium White. The early morning mist and its reflections are largely blended Naples Yellow, minute dabs of Lemon Yellow Hue, plus Cadmium Yellow, Cadmium Orange, all lightened with Titanium White. A pale shade of Alizarin Crimson has been applied to warm the distant far-off parts of the estuary, together with a hint of Mauve Blue Shade to mark the hillside.

Where can you see this painting?

South Pool Sunrise is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Merlins, Scoble Point Moorings, and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings or are just curious about an image, let me know; I’ll then write a blog post especially for you!

25 April 2016 In Art, Sketchbook note

Sketchbook Notes: Scoble Point Moorings

From Easter and onwards through the Summer, in the late afternoon, a strong clear light strikes this part of the Salcombe estuary. The red and white hulls appear to radiate their colours more intensely until the sun drops below the skyline.

Even the mooring buoys know the day is done and the moon will bring another tide.

This is my initial sketch for Scoble Point Moorings.

ScoblePointMooringsResource

Why bother with a sketch?

While a photograph can capture everything, that’s too much information. I need to frame the subject and to simplify what might have been a busy scene. Which craft will I include? Which should I leave out?

Sketching is therefore essential. It enables me to distill the principle points of interest and to identify the tonal areas of the composition and rebalance as necessary.

The sketchbook also serves as a diary, along with my iPad on which I take photos and, of course, my camera. I am grateful the software remembers when and where I take my photos.

So, with the various source materials in front of me and the sketchbook open, foremost in my mind is the tip: ‘look twice, draw once’. Sketching teaches you to watch! It teaches you to aim for brevity.

ScoblePointMooringsResource2

Notice that, in the final composition, I have rearranged the positioning of the various craft, but I took great care to plot the mooring buoys as shown on this photo of my original notes.

And, although my sketch was in watercolour, I decided to using oil paints for this subject – and what was a fascinating journey that was for me.

Where can you see this painting?

Scoble Point Moorings is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Merlins, South Pool Sunrise and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

18 April 2016 In Art

Sketchbook Notes: Merlins

The classic Merlin Rocket carries a two-man (or lady!) crew and has enjoyed a long relationship with Salcombe Yacht Club and the challenging waters of Salcombe Estuary.

I have never helmed, or crewed, this high-performance dinghy. The Merlin sailors love a stiff breeze and to launch their brightly coloured spinnakers when the wind angle permits. They appear to ‘charge’ along, rather than passively sail.

Comparing my source photograph with the finished painting, you’ll maybe notice a number of changes I made to the composition. Merlins

I positioned the shoreline midway, losing much of the foreground water, and brought the choppy water into sharper focus. I also smudged the detail on the beach, so that the sails were given greater emphasis. Last but not least, I added a touch of red, with a buoy, positioned bottom right.

I had great fun with this painting, trying to capture the movement of the Merlins across the estuary and the excitement of their race. And yes, I love to photo the Merlin sailors’ antics; if I blink, I’m sure to miss a dramatic capsize!

The next opportunity to see this fleet – over 100 competitors – in full sail is during Merlin Rocket Week, 10-15 July 2016.

Where can you see this painting?

Merlins is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Scoble Point Moorings, South Pool Sunrise and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 19 April (2-5pm), 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!