Splosh of Frogmore Archives

17 July 2017 In Art, Exhibition

Exhibition time: Week 2 of Ian Carr’s Oil Class exhibition: now until Saturday 22 July

Ian Carr’s Oil Class Exhibition continues until Saturday 22 July, in the Little Studio at the Loft Gallery, Salcombe.

Which paintings do I have in the Ian Carr Class Exhibition?

I have three paintings on display, as well as those already hanging in the main exhibition.

The featured image above is Hope Cove.

Then there’s Scoble Point Moorings.

And, last but not least, one of my favourites, Splosh of Frogmore.

Where is the Loft Gallery?

The Loft Gallery is situated behind the Fortescue Inn, and above a popular shoe shop, on a delightful footpath called Victoria Quay, which overlooks one of the best views in the UK including the mooring berth of the RNLI lifeboat Baltic Exchange III.

AFFORDABLE ART

All three images are available as a fine art greetings card.

My cards are stocked at Bonningtons (the newsagents) and Salcombe Information Centre (both a short walk from the Loft Studio). Further afield, my cards are stocked by Malborough Post Office, The Gallery Project at Avon Mill and at Noss Mayo, and in Bloomers, the florist in Kingsbridge.

Just think: for less than 1% of the sales price of an original painting, you can invest in a fine art greetings card. Send it to a friend or frame it for yourself.

10 July 2017 In Art, Exhibition

Exhibition time: Ian Carr’s Oil Class exhibition: now until Saturday 22 July

Ian Carr’s Oil Class Exhibition is on now, until Saturday 22 July, in the Little Studio at the Loft Gallery, Salcombe.

Ian Carr Oil Class Exhibition

I have three paintings on display, as well as those already hanging in the main exhibition.

On the right hand panel, at the top, are Hope Cove and Scoble Point Moorings. Bottom right is Splosh of Frogmore – and this is the featured image above too.

Where is the Loft Gallery?

When will I be there to greet you?

I will be stewarding at the Loft Gallery from 11am until 5pm on Wedneday 12 July. I hope you see you there!

19 May 2017 In Art, Exhibition

CONTEMPORARY PASSIONS EXHIBITION PREVIEW: Splosh of Frogmore

Splosh of Frogmore is one of several paintings I’ll be showing at the the annual Contemporary Passions exhibition.

My ‘contemporary passion’ for the 2017 Contemporary Passions exhibition is ‘places other than Salcombe’. For the past decade or so, I’ve focused on scenes within easy walking distance of my home in Salcombe, and I’ve painted over 100 of them.

Frogmore is some miles away from Salcombe, beyond Kingsbridge by road. By boat, with the right tide, it is a magical short voyage from Salcombe through beautiful countryside. So, it fits the theme!

Splosh of Frogmore

splosh Splosh is real, tied up near a little bridge. The faded coloured roundels show Splosh has had many years of service in Salcombe Harbour.

The day I was passing by, the egret was fishing in the stream, competing with dancing reflections of Splosh.

You’ll notice that I used my artistic licence to move the egret.

For more information about this painting, read my Sketchbook notes.

What is the Contemporary Passions exhibition?

This is an annual opportunity for members of SHAF (South Hams Art Forum) to stage a major summer show of new works in a wide range of mediums and styles, a snapshot of the artists’ current work, interests and creative passions.

This is the first year I have taken part in this exhibition and am one of ten SHAF members exhibiting their work: Teresa Barlow, Nick Cotter, Gilly Cotter, Sue Farrow-Jones, Jane Mahood, Michele Meyer, Elaine Sibley, Sally Tapsell-Hunt, Val Uglow, and myself.

During the next few weeks, I’ll showcase the many paintings I intend to display, and introduce the other artists too.

WHEN IS THE CONTEMPORARY PASSIONS EXHIBITION?

Tuesday 6 June until Sunday 18 June 2017
Open daily 10 am – 5 pm (closing at 4 pm on the last day)

WHERE IS THE CONTEMPORARY PASSIONS EXHIBITION?

The Contemporary Passions exhibition will be at Harbour House, The Promenade, Kingsbridge, Devon, TQ7 1JD

WANT TO MEET THE ARTISTS?

There will be an opportunity to meet the artists on Tuesday 6 June, 6-8 pm.

I will also be stewarding all day on Saturday 10 June and on the morning of Saturday 17 June.

HOW MUCH DOES IT COST?

Admission is free!

28 June 2016 In Art

Stewarding today!

oday, Tuesday 28 June, I’ll be stewarding at the Loft Gallery from 11am until 2pm.

If you expect to be in Salcombe then, please drop by and say hello!

I’d be delighted to talk you through the 5 paintings of mine on display in the main exhibition. The two in the featured image above are South Pool Sunrise and Splosh of Frogmore.

WHERE IS THE LOFT GALLERY?

WHAT IS THE LOFT GALLERY?

The Loft Gallery is the home of Salcombe Art Club and, every year since 1960, the Summer Exhibition opens at Easter and continues until the end of September.

An incredible number of visitors climb the 15 steps to view the exhibition, and more than 200 paintings are expected to be sold during the summer months. A percentage of the proceeds of each sale goes to the Art Club funds and, after expenses have been met, the club donates amounts to local charities. So, buying a painting benefits the artist, the club and the town – and provides a beautiful reminder of a visit to Salcombe. Prices range from £1 for a postcard up to £1000 – and the club now has the facility to accept payments by card, rather than ‘cash only’ as had been the practice for many years.

In the winter months, the Loft Gallery reverts to being a working studio with a full programme of workshops and classes for its members.

WHO CAN JOIN SALCOMBE ART CLUB?

Salcombe Art Club comprises a mix of artists: some professional artists such as those who teach our classes but also many amateurs and some very new to drawing/painting. Everyone is welcome!

Membership of Salcombe Art Cub is not limited to those living in Salcombe. Anyone within striking distance is welcome to apply for membership, but it makes most sense for those who live near enough so as to benefit from the classes in the winter, and – if they intend to become exhibiting members – to fulfil their stewarding obligations during the summer.

Step 1 is to enrol as a Lay Member – that’s the first rung of the ladder! Then Salcombe Art club has three categories of membership.

Lay members (for a subscription of £12 per annum) may take part in workshops, courses and social activities and generally assist in supporting the club but may not exhibit, nor vote at the AGM.
Associate members (for a subscription of £17 per annum) may take part in most club activities including exhibiting in the Little Studio section (but not the main gallery) of the Annual Summer Exhibition.
Full members (for a subscription of £27 per annum) may take part in all club activities and exhibit their works in the Annual Summer Exhibition when they are required to carry out their share of stewarding duties.

WHO EXHIBITS AT THE LOFT GALLERY?

Essentially, exhibiting is limited to the associate and full members of Salcombe Art Club. Full members are invited to display up to five of their works in the Summer Exhibition. This is me with some of mine:

Full – and associate – members may also book a week or more in the Little Studio. In the Little Studio also, our teachers exhibit material of works produced by the various class groups; this inspires other club members to enrol for classes during the winter months.

HOW DO YOU PROGRESS FROM LAY MEMBER SO THAT YOU CAN EXHIBIT YOUR ART AT THE LOFT GALLERY?

The selection panel meet annually (usually in February) to select from Lay members who wish to become Associate of Full members. The usual progression is to become an Associate member for a year and then on to Full membership the following year. Sometimes, the panel may decide to admit a member straight to Full membership.

For more information about Salcombe Art Club, visit their website.

AFFORDABLE ART

Both images are available as a fine art greetings card, at Bonningtons (the newsagents) and Salcombe Information Centre (both a short walk from the Loft Studio).

2 May 2016 In Art

Sketchbook Notes: South Pool Sunrise

This is the view from my studio and it often ruins my concentration, not just with its beauty but also by the speed it changes through the day.

Indeed, the new day’s light arrives so very fast, I have to use my camera to capture the evolving intensity of light and shade that play around this arena we call an estuary. There is no time to sketch it!

So, this is my original photo:

SouthPoolResource

You can see how I folded the printed page to create a square shape. Anne has encouraged me to think ‘square’ as this makes it so much easier for her when the time comes for us to select the next batch of designs for my range of fine art greetings cards!

Comparing this photo with the finished painting, I lightened the whole image, choosing colours which brought it to life: awakened it, literally. I found oil paints a delight when it came to blending the bursting sunshine dissolving an early morning mist.

The rising sun is Titanium White. The early morning mist and its reflections are largely blended Naples Yellow, minute dabs of Lemon Yellow Hue, plus Cadmium Yellow, Cadmium Orange, all lightened with Titanium White. A pale shade of Alizarin Crimson has been applied to warm the distant far-off parts of the estuary, together with a hint of Mauve Blue Shade to mark the hillside.

Where can you see this painting?

South Pool Sunrise is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Merlins, Scoble Point Moorings, and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings or are just curious about an image, let me know; I’ll then write a blog post especially for you!

25 April 2016 In Art, Sketchbook note

Sketchbook Notes: Scoble Point Moorings

From Easter and onwards through the Summer, in the late afternoon, a strong clear light strikes this part of the Salcombe estuary. The red and white hulls appear to radiate their colours more intensely until the sun drops below the skyline.

Even the mooring buoys know the day is done and the moon will bring another tide.

This is my initial sketch for Scoble Point Moorings.

ScoblePointMooringsResource

Why bother with a sketch?

While a photograph can capture everything, that’s too much information. I need to frame the subject and to simplify what might have been a busy scene. Which craft will I include? Which should I leave out?

Sketching is therefore essential. It enables me to distill the principle points of interest and to identify the tonal areas of the composition and rebalance as necessary.

The sketchbook also serves as a diary, along with my iPad on which I take photos and, of course, my camera. I am grateful the software remembers when and where I take my photos.

So, with the various source materials in front of me and the sketchbook open, foremost in my mind is the tip: ‘look twice, draw once’. Sketching teaches you to watch! It teaches you to aim for brevity.

ScoblePointMooringsResource2

Notice that, in the final composition, I have rearranged the positioning of the various craft, but I took great care to plot the mooring buoys as shown on this photo of my original notes.

And, although my sketch was in watercolour, I decided to using oil paints for this subject – and what was a fascinating journey that was for me.

Where can you see this painting?

Scoble Point Moorings is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Merlins, South Pool Sunrise and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

18 April 2016 In Art

Sketchbook Notes: Merlins

The classic Merlin Rocket carries a two-man (or lady!) crew and has enjoyed a long relationship with Salcombe Yacht Club and the challenging waters of Salcombe Estuary.

I have never helmed, or crewed, this high-performance dinghy. The Merlin sailors love a stiff breeze and to launch their brightly coloured spinnakers when the wind angle permits. They appear to ‘charge’ along, rather than passively sail.

Comparing my source photograph with the finished painting, you’ll maybe notice a number of changes I made to the composition. Merlins

I positioned the shoreline midway, losing much of the foreground water, and brought the choppy water into sharper focus. I also smudged the detail on the beach, so that the sails were given greater emphasis. Last but not least, I added a touch of red, with a buoy, positioned bottom right.

I had great fun with this painting, trying to capture the movement of the Merlins across the estuary and the excitement of their race. And yes, I love to photo the Merlin sailors’ antics; if I blink, I’m sure to miss a dramatic capsize!

The next opportunity to see this fleet – over 100 competitors – in full sail is during Merlin Rocket Week, 10-15 July 2016.

Where can you see this painting?

Merlins is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Scoble Point Moorings, South Pool Sunrise and Splosh of Frogmore.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 19 April (2-5pm), 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is one of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!

11 April 2016 In Art, Sketchbook note

Sketchbook Notes: Splosh of Frogmore

Frogmore is some miles away from Salcombe, beyond Kingsbridge by road. By boat, with the right tide, it is a magical short voyage from Salcombe through beautiful countryside.

Splosh is real, tied up near a little bridge. The faded coloured roundels show Splosh has had many years of service in Salcombe Harbour.

The day I was passing by, the egret was fishing in the stream, competing with dancing reflections of Splosh.

Splosh source image - egret 2

I took more and more photos, to capture greater and greater detail.

Splosh source image - egret

Notice that, in my composition, I moved the egret. My regret is on the right, looking towards Splosh.

I also used my artistic license and left some things out. Can you tell what, and can you imagine why?

I don’t know who owns Splosh. If you do, let me know. I’d be fascinated to find out more about the L in SPLOSH, and the history of this particular boat.

Where can you see this painting?

Splosh of Frogmore is on display at Salcombe Art Club in the Main Exhibition, along with four more of my paintings: Hope Cove, Merlins, Scoble Point Moorings, and South Pool Sunrise.

The Exhibition is open every day from 11am until 5pm, until 24 September.

I will be at the Exhibition, stewarding, on these dates: 19 April (2-5pm), 10 May (11am-5pm), 24 May (2-5pm), 14 June (2-5pm), 12 July (2-5pm), 9 August (2-5pm), and 20 September (11am-2pm).

If you are in Salcombe this summer, why not drop in?

The Sketchbook Notes series

This is the first of the Sketchbook Notes, a series of posts explaining what inspired me to produce a particular painting.

If you own one of my paintings, or are just curious about an image, let me know; I’ll then write a blog post especially for you!